THE Cat radio, which has been
entertaining audiences in Crewe and Nantwich in previous years,
is back on the air for a 28-day
Restricted Service Licence (RSL) broadcast [from November 23].
Paul Simpson, who is an
occasional contributor to "A Dabber's Nantwich", e-mailed me to
say: "We have moved and built a new studio at Frederick House,
one of the old Barony Hospital buildings.
"We will be
broadcasting on 87.7 FM. Full program details are available on
our web site with a listen live feature at
www.thisisthecat.com.
"We have been very well
supported this time by many local companies and have sold all
our advertising slots."
The Cat is staffed by a
group of amateur broadcasters and this is their third RSL
licence.
Even when the 28 days are up you will still
be able to hear their broadcasts via the website.
There's a studiocam
feeding a live picture of the presenters to The Cat website.
I SPENT a happy two hours at the
studio as a guest of Paul, telling the listening audience about
"A Dabber's Nantwich" website, Nantwich Players and the
extension to the theatre building - and getting a "plug" in for
the new video about curiosities in Cheshire, "More Cheshire
Curiosities", that I and two amateur colleagues have made.
[Visit the
Jonboro Videos
website for more details of the video.]
Partly because I wanted
to get the picture above, and partly because I had turned down
Paul's invitation to appear on his show when the studios were in
Crewe, I went along to Frederick House.
Without wishing to make
it sound too easy (which it definitely is not), presenting the show is a mixture of
introducing a variety of records, giving information about local
events, taking a feed of news bulletins from Sky News, and
interviewing any guests.
This means that
everything has to run to a tight schedule -particularly
finishing a record in good time - without simply fading it out - to receive the news bulletin
which goes out at a set time. There's
no asking "Can you wait a second?"
True, the computer
plays a big part in this, but - particularly when there is a
guest to be interviewed - the presenter can override the running
schedule "on the fly" - that is, as he or she goes along.
Omitting a record from the list, or substituting another one. But
even the bits the computer takes care of have to be loaded by a
human being - i.e. Paul - before it can play the music, the
adverts, the jingles, and short items "advertising" forthcoming
programmes.
Paul normally
co-presents with Julie Lewis (pictured with him, above right, in
a
picture from The Cat website) but she was sunning herself abroad
on the morning I called in. That didn't let her off appearing on
air, though. Paul called her in her hotel and they had a live chat as
part of his programme.
"I've got a guest this
morning," he told her. "Yes," she said, "I can see the back of
his head on the studiocam picture." My bald spot there
for all to see!
Speaking on air
involves being up close and personal with the microphone -
nose-to-nose, one might say; if microphones had noses - and
speaking into the underside! This is not easy and so I kept
getting frantic waves from Paul to get closer to the microphone.
But I think I was getting the hang of it towards the end of the
broadcast.
All The Cat staff - on
air and off it - are amateur broadcasters with jobs to fit their
radio duties around.
Anyone who knows me
will know I am a "background person", preferring to be backstage
or behind a camera, but I thoroughly enjoyed my brief time of
fame via The Cat. Thanks for persisting, Paul.